This is part of a series of interviews sponsored by Baen Books with some of today's top military science fiction writers. Links from here point to Amazon for those who want paper copies, while links at Baen point to their electronic webscription service.
Discussion of David Weber usually begins with a very good quetion: Where to start? Should you start with the first book in his hugely popular Honor Harrington series? Or should it be with the first book in his fantasy series where the god of war is also the god of justice? Perhaps his Empire from the Ashes series? Hmmm, wait, maybe the first book in his latest series? Or the first book with Linda Evans in the Hell's Gate series? His first collaboration with Eric Flint in the hugely popular 1632 series? No, no, no, wait -- his first book in collaboration with John Ringo in the Empire of Man series? Maybe his work in the Bolo universe of Keith Laumer?
Ultimately, it really doesn't matter where you start. No matter what you choose, you will be starting a good book and quite likely a good series. Almost no matter your taste, there is a book or series by David Weber that is likely to appeal to you. His work on combat, battle, and some of what lies beneath is recognized and highly praised for its accuracy -- yet, David Weber has never served in uniform or in combat. Some of his work in the Honor Harrington series has even been used in class discussion(s?) on military leadership. David's works explore that which lies behind leadership, justice, and loyalty. This series of interviews will explore a bit of that which lies behind his explorations of what lies behind, and with a certain amount of detail as he was kind enough to give Blackfive TV almost two hours of his time.Part 7 picks up where Part 6 left off, minus a short beer break, with a discussion of a very interesting Annapolis appointment interview, and goes on from there to further discussions on writing military science fiction and service, the respect and consideration that service deserves, bit on the type person who knocks same, and on discourse. BTW, the audio pops you hear are the chain he is wearing bumping across the microphone. Part 8 can be found here.